|
|
Luce, Maximilien
French Pointillist Painter, 1858-1941
French painter and printmaker. He was born and brought up in the working-class surroundings of Montparnasse, and an interest in the daily routines and labours of the petit peuple of Paris informs much of his art. After an apprenticeship with the wood-engraver Henri Theophile Hildebrand (b 1824), in 1876 he entered the studio of the wood-engraver Eugene Froment where he assisted in the production of engravings for various French and foreign publications such as L'Illustration and The Graphic. He also sporadically attended classes at the Academie Suisse and in the studio of Carolus-Duran. In Froment's studio he came into contact with the artists Leo Gausson and Emile-Gustave Peduzzi Related Paintings of Luce, Maximilien :. | Notre-Dame | Paris Seen From Montmartre | portrait of paul signac | La Sainte-Chapelle | The Seine at Herblay | Related Artists: CUYP, AelbertDutch Baroque Era Painter, 1620-1691
Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. Antonietta Brandeis (1849, Miskowitz (Czech: Myslkovice) - 1920), was an Austrian painter.[1][2]
Select Museum Collections: Museum Revoltella, Trieste
Peeters, Bonaventure IIFlemish, 1648-1702
|
|
|
|
|
|
|
|